rising up, you float outside yourself

The clouds are // following each other // Into Eternity

Reblogged from darksilenceinsuburbia

vmagazine:

'Seeking Aether' (experimental garment collection): InAisce FW 13/14 Men's Collection featuring South Sudanese refugee and former child soldier turned actor and model Ger Duany  - video link

damn, that coat in the 2nd one! but really the whole thing. shiiiiit.

Reblogged from mouth-wings

mouth-wings:

i was obsessed with center stage when i was like 13. i wanted to be a dancer but i was too lazy so watched a lot of dance movies instead

¯\_(シ)_/¯

first of all, this movie is awesome. secondly, i love me some jamiroquai. 

amybear:

 

Reblogged from rebelsandrogues

amybear:

 

(Source: yeswecancan)

Black Radio (Feat. Yasiin Bey)
Robert Glasper/yasiin bey
Black Radio

Reblogged from mouth-wings

nap-city:

robert glasper experiment feat. yasiin bey // black radio

important.

(Source: af280)

Reblogged from nap-city

"You’re not protecting the people and you’re not protecting property, so why are you there?" 

(Source: jessehimself)

Reblogged from deviantart

jdfjerry:

Art by art418

the only thing worse than hearing your voice, is not hearing it at all.

Reblogged from mouth-wings

mouth-wings:

"But you are a woman who stage dives…" [x]

"um, an untenable inner chasm"

do u think she wears the sunglasses during interviews to hide all the eye rolling she does at these type of dumbass comments

(Source: enemyoffate)

Reblogged from sufferme

sufferme:

LADY OF THE WOODS. session one… more to come. mike moses www.thedrowntown.com

Oblivion
Grimes
Visions

Reblogged from mouth-wings

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin)

Reblogged from yourmorningcoffee

ckings:

hopeannn:

pamellajoy:

whackedup:

whackedup:

   Alright this don’t make no damn sense. 

Imma just bring this back.

They hit EVERY SINGLE BEAT jeeeeeez

Watch this.

Every single fucking beat alright. This is crazy.

well that was nasty.

Reblogged from southwest-sister

cognitivedissonance:

Tonight in Ferguson, Mo. Even CNN is calling out police brutality.

We are watching history unfold. Do not stand down. Spread the word.

No justice, no peace.